Diagonal light from an arched opening on the left crosses a polished floor veined in dark brown and catches every edge of gold. Wood-toned panelling and curved taupe columns frame the central wall, where the Colosseum Mirror stands as an oversized arch in a stepped gold frame, a line of light tracing its inner edge. Two Cyrus Double I Wall Lamps glow against the taupe on either side, tall gold half-cylinders that bracket the arch at head height.

In front of the mirror, the Newton Pedestal Sink stacks glossy black spheres into a column, with gold spheres set among them and a scalloped black rim around a textured gold basin. The Pulse Three Hole Mixer Bathroom Tap rises from it in gold, its tall, slim spout echoing the vertical lamps. The sink appears both as a single sculpture and as a pair side by side, and in each version its round forms play against the straight lines of the arch and the panelling. To the right, the Diamond Towel Rack adds a faceted black base, gold rails and a black towel stamped in gold.

A tall, leafy plant in a dark, veined planter softens the geometry, while one metal, gold, ties together the mirror, lamps, tap and rails. A reference for master suites in private residences, boutique hotels and hospitality projects where the vanity is staged as the centrepiece of the room.